EDUCATION
2024 Master of Fine Arts, University of British Columbia, Canada
2016 Bachelor of Arts (Honours) Visual Arts, Academy of Visual Arts, Hong Kong Baptist University, Hong Kong
SOLO EXHIBITION
2024 (forthcoming) bones beneath walls, WURE AREA, Hong Kong
DUO SOLO EXHIBITIONS
2017 - -/- -/- -, Academy of Visual Arts, Kai Tak Campus, Hong Kong
2016 Wandering, a.m. space, Hong Kong
GROUP EXHIBITIONS
2024 Aqueous Nerve: UBC MFA Graduate Exhibition 2024, Morris and Helen Belkin Art Gallery, Vancouver
2024 Entangled Embodiment, AHVA Gallery, Audain Art Centre, Vancouver
2023 Solitarium, AHVA Gallery, University of British Columbia, Vancouver
2022 38.4, WURE AREA, Hong Kong
2019 Bland Blank, Experimental Gallery, Hong Kong Arts Centre, Hong Kong
2019 Shek O Sublime, Gallery EXIT, Hong Kong
2018 Observe / Scrutinise / Perceive, Gallery EXIT, Hong Kong
2018 Weight Watchers, Kunstquartier Bethanien, Berlin
2017 Crash printing, Koo Ming Kown Exhibition Gallery, Hong Kong
2017 To Each, his zone, Gallery EXIT, Hong Kong
2016 HKBU AVA BA Graduation Exhibition, Academy of Visual Arts, Hong Kong
2016 Book and Print Festival, Koo Ming Kown Exhibition Gallery, Hong Kong
2016 About Turn, Koo Ming Kown Exhibition Gallery, Hong Kong
2015 In the name of Drawing, Koo Ming Kown Exhibition Gallery, Hong Kong
RESIDENCY
2022 Tai Kwun Artists’ Studio Programme, Tai Kwun, Hong Kong
AWARDS & GRANTS
2023 Audain Travel Award, Audain Foundation
2023 B.C. Binning Memorial Fellowship
2022 Faculty of Arts Graduate Award, UBC
2021 Project Grant: Emerging Artist Scheme, Hong Kong Arts Development Council
2016 Studio Arts Prominent Award , HKBU
2016 Academy of Visual Art Keeper Collection, HKBU
Tiffany Law is a Hong Kong visual artist who lives and works in Vancouver, British Columbia, on the stolen lands of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səlilwətaɬ Nations. She has exhibited her work and participated in residency programs in Hong Kong, Canada, and Germany. She has received grants from the Audain Foundation and the Hong Kong Arts Development Council to support her work and research.
Her practice explores the realms of drawing and printmaking, pushing the boundaries of materiality to reveal the paradoxes within representation and interpretation. She transforms drawing into a ground of endless openings and an archive of deconstruction and loss, viewing it as a medium to confront the inherent fragility of human consciousness. Her fascination lies in the embodied temporality entwined with humans, non-humans, the land, and the body, and how to resist the homogenous time through understanding grief and loss.
